I’m delighted to announce my upcoming book tour for The Legacy of Old Gran Parks.
Fourteen days of reviews! Many thanks to Faye Rogers for organising and to all the book bloggers involved.
I’m delighted to re-blog my guest post on Roadies Notes on the making of my latest novel, The Legacy of Old Gran Parks. Check out the story behind the story.
One of the things I love is finding out where the ideas for the stories we read come from. Some are real places, some dark dreams but most are from the incredible creative minds of my writer friends! What follows is Isobel Blackthorn telling us all about her newest book, it is one you want to read! The link to purchase this awesome book is following her telling of how it all started……
The Making of The Legacy of Old Gran Parks
Stories come from mysterious places, and are often a combination of a number of factors and ideas that come together and form a synergy. Sometimes the story behind the story is special and worth telling in its own right. I think the story behind The Legacy of Old Gran Parks is one of those.
The idea to write a novel set in a remote town in Australia’s south-eastern…
View original post 1,062 more words
I am delighted to welcome on my blog author James Watts, whose debut horror novel Them was released by HellBound Books spring 2018.
Tell me a little about yourself James. Where were you raised? Where do you live now?
I grew up in the small town of West Jefferson, Alabama. Born in Birmingham, Alabama on March 17, 1976. A few years after high school I moved to Panama City, Fl for around 10 years. I moved back to Alabama 5 years ago and currently live in my old home town of West Jefferson.
At what age did you realise your fascination with horror?
It was pretty early on, around the age of 6 or7. My older sisters and brother were always watching horror films. Especially my sister Tammy. She introduced me to Nightmare on Elm Street. And my sister Eugenia and her boyfriend, now husband, took me to a drive-in to see Friday the 13th.
When did you start writing?
Around the age of 11. I was using the library more and more around the 4th grade and discovered the Hardy Boys. Loved those books. And not long after I picked up a copy of Stephen King’s “The Stand”, and knew after that I wanted to write. Between my love of comics and novels, I eventually tried my own hand at it. And it was terrible, but I kept going.
Who are your favourite authors to read? Who inspires you in your writing?
My son Bailey is my inspiration to keep pushing on. My favourite authors include Stephen King, Dean Koontz, Robert McCammon, John Saul, Anne Rice, Peter Straub, Edgar Allan Poe, and Richard Matheson.
Tell me a little about your latest book?
Them is a horror narrative set in the small Alabama town of Maple Grove and took a little over a year to finish, mainly because I was working in security at the time and was constantly working.
The fictional town of Maple Grove is actually located around five miles from my hometown of West Jefferson. By knowing the area so well, it was easier to tell my story. It doesn’t end with familiar surroundings either. There is a lot of me in this book, different smaller parts of me in every character. For instance, the protagonist Ray Sanders moved to Florida to escape the pain of betrayal. I did the same thing. Although, our reasons for returning are different. Now as for Ray’s childhood, it was pulled from my own to a certain extent.
The story itself focuses on Ray overcoming his insecurities and to be the man he must be in order to destroy the evil that has hovered over Maple Grove for over a hundred years, and to break the hold it has over his bloodline. Mind control, creepy animals, and vividly eerie dreams make this task almost insurmountable.
“In the small town of Maple Grove, Alabama, an ancient evil resurfaces to claim its right to life and the human race be damned. When Ray Sanders returned to Maple Grove to attend his mother’s funeral, he never planned to have to overcome all of his insecurities in order to save the town from an evil as old as time itself. For over a hundred years, the town of Maple Grove has suffered from the deranged minds and unquenchable hunger of parasitic creatures not of our Earth. Once before in a sacrifice of blood, the forces from beyond were locked away presumably forever. Now they have returned, hungering for their chance to evolve. It will be up to Ray Sanders, his cousin Roy, and a woman either them recall to stop this evolution and prevent the reign of these ageless creatures before their evil can spread.”
What are you working on now?
A new horror novel. It involves a vagabond of sorts running from supernatural encounter in his past. After fifteen years of traveling, and five years of that running from an old evil, Benjamin Belvedere finally finds what he thinks could become his home in the Alabama town of Jericho Hills. But you cannot run forever from some things and the evil has followed him. An demon a couple of centuries old in the form of a little red haired girl with pigtails and a sundress and the spirit of a Lycan elder filled with Hell fire.
Thanks for the interview James, and all the very best with your book, Them, which sounds very very creepy! My review to follow soon.
Grab your copy on Amazon or all good retailers.
You can find James on Facebook at:
Horror fiction takes many forms. Good horror is an art form, one that requires considerable mastery and imagination. Psychological horror shades into dark fiction – bleak, gothic at times, often literary – and as ever, books can be hard to categorise. Catherine Burn’s The Visitors is one of those books.
I’m only sharing some of the blurb as I think the rest is a spoiler.
“Marion Zetland lives with her domineering older brother, John in a decaying Georgian townhouse on the edge of a northern seaside resort. A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.”
The Visitors is a grim read, more disturbing as the story unfolds, the narrative devoid of humour but not wit. The is novel driven by its backstory, and amounts to a acutely observed character study of the protagonist, Marion Zetland, as she observes her brother, John, and his deviant habits. Burns makes a study of dark passion, but not the brooding malevolence of a serial killer, more the banal evil referred to by Hannah Arendt, one laced with pathetic and inane self-justifications. For Miriam, a sad-sack of a woman in her fifties, is as drab, anxious and miserable as they come.
What ensues is a slow unfolding, a game of seek with no hiding, the reader allowed to peak first here, then there, as the narrator reveals Marion’s foibles, and those of her brother, their mother and father. The collective past of the Zetland family is not pleasant. And neither is Marion. She is impossible to like. She is irritating, repellant and frustrating. She has no willpower, no ambition, instead she is a hopeless figure stripped of her will, immobilised by indecision, her morality compromised by the voices in her head. Existing on a diet of biscuits and tinned food, she loses herself in imagination and fantasy, her escape from a lacklustre existence inside the only home she’s ever known.
Then there is the small matter of the visitors in the cellar.
What begin as justifications for Miriam’s inertia eventually turn into justifications for why she acts the way she does when she finally exercises her will. And it is only then that explanations of certain little mysteries emerge. Burns exercises perfect narrative control, in command of her plot and her characters at every turn, her premise a powerful one and demanding to execute. I can only imagine what it must have taken to write this book.
Not for everyone, but for those who do enjoy dark fiction, this novel is superb.
I’m thrilled to share the cover of my latest novel, The Legacy of Old Gran Parks, available from 24th February, 2018. It’s a dark comedy thriller and I had such a lot of fun writing the story. Big thanks to all the team at HellBound Books for believing in my work and being generally amazing! A huge thank you to local photographer Wesley Stephens for his photo of Point Hicks lighthouse, and a very special mention to local resident and dear friend Cassarndra Skarratt, without whom this book would never have been written. ‘Gran Parks’ is available for pre-order too – see below. Stay tuned for details of the official launch on 12th May at the Cann River hotel!
Set in Cann River in Australia’s rugged southern wilderness, The Legacy of Old Gran Parks is a tale of a remote town haunted by a legacy, a legacy with ominous consequences.
It’s a warm evening in the autumn of 1983 when Miriam Forster rolls into town in her broken down car.
Frankie the deer hunter, is up in the forested hinterland with her gun. Old Pearl the fisherwoman sits on her front deck down by the lagoon with her whisky and her dog. And Emily, the English backpacker, scrubs out the pie-encrusted kitchen at the roadhouse.
All is not well. There’s a hoon doing donuts at the crossroads and screaming down the fire trails in the woods; a suspicious-looking city-slicker with two small children, squatting in Fred’s shack down by the lake; a beanie-headed gaunt guy convalescing at the lighthouse; and an acne festooned creature in the hotel room next to Miriam, thrashing about in the night.
Gran Parks is stirring. Who will survive? Who will get away? Who will stay?
For once I am sharing a review of one of my own titles just in on Amazon. It isn’t every day an author receives such high praise.
Talk about being blown away.
If you are in search of a stonking read with delicious descriptions – chilling horror (very psychological in places) and perfect prose then this is the book for you.
The horror was delivered with sophistication and stealth – so much so that when I wanted to pull back or run for cover I couldn’t.
The story telling is masterly and I would class this book – author, as a modern day classic.
Unique- individual- and unapologetic.
To me was as good as a holiday- I love that feeling you get when a read has reached every wanton corner of your psyche and cleaned up!
Thank you to the author for a truly defining read!” – Amazon reviewer Kathleen McCarthy
Thank you Kathleen, for making my day!
Here’s my review of a sensational debut novel by Australian author and award-winning playwright, Rachel Nightingale. It might look like a YA fantasy novel, but don’t be fooled! Read on and discover why I am in rapture over this book.
“The Gazini Players are proud to present
For your Edification and Enjoyment
Tales of great Joy, and of great Woe
Ten years ago, Mina’s beloved older brother disappeared with a troupe of travelling players, and was never heard from again.
On the eve of Mina’s own departure with a troupe, her father tells her she has a special gift for story telling, a gift he silenced years before in fear of her ability to call visions into being with her stories.
Mina soon discovers that the travelling players draw their powers from a mysterious place called Tarya, where dreams are transformed into reality. While trying to solve the mystery of her brother’s disappearance, she discovers a dark secret to the players’ onstage antics. Torn between finding her brother or exposing the truth about the players, could her gifts as a story teller offer a way to solve Harlequin’s riddle?”
It is a stark fact that for the last few decades the major players in the book publishing industry have chosen to be led by their sales teams, and commissioning editors must bow to their publisher’s bottom line. Editors may fall in love with a story, want to praise it from the rooftops, but they are stuck with having to tell the author the harsh truth that their sales department, not known for vision and decidedly risk averse, have deemed the work unsaleable. It happens time and again that a truly great work slips through the cracks and ends up – because it IS truly a great work – being picked up by one of the lesser known small presses. If you want to read excellent original fiction, hunt out works released by reputable small presses.
Harlequin’s Riddle is one of those books, for Rachel Nightingale has composed a work of remarkable vision and depth of insight, a work narrated in an accessible and enchanting style; gentle, inviting, sensory, like silk and gossamer. The pace is slow at first, but never meandering, and quickens at each plot point, as what begins as a quest evolves into a dark mystery.
Harlequin’s Riddle is a story of illusion and make believe in art and theatre. The novel opens with Mina watching a travelling theatre troupe perform in her village as she misses her older brother, Paolo, who took off with a troupe a decade before, and never returned. She was seven when he left, and she’s seventeen when with her mother’s blessing she joins the theatre troupe in the hope of finding him. The reader is swept along on the aspirations, hopes and dreams of innocence, a false innocence for Mina’s childhood scars are many, and the grief and anguish and betrayal are buried so deep Mina is numb to them, until they surface and form a destabilising force, propelling her into understanding and ultimately wholeness.
Despite the fictitious setting, Nightingale paints an evocative portrait of medieval Italy with its rugged coastline, its quaint villages, forests and northern lakes. The author’s depiction of the theatre troupe with their colourful sets and costumes is vibrant and alive and enthralling, the reader provided a privileged view, looking over Mina’s shoulder at the other players and the audience. Much of the story involves the travellers journeying in their wagons to the Festival of Lights held in the large city of Aurea, and again, the reader is swept along for the ride as the troupe cope with various dramas and adventures along the way. There is much here to entertain every reader, young and old, the final quarter of the novel dripping with visual splendour.
On another level, Harlequin’s Riddle is less a tale of Mina’s quest to find her brother, and more a study of the nature of imagination and creativity, that curious moment of conjuring, bringing into being that which we inwardly see, and seeing that which we inwardly describe – words and pictures, which comes first? The creative process, at the moment of conception, differs between the arts and among artists, but always there is a point of manifestation and it is this that fills the pages of Harlequin’s Riddle.
Coupled with the theme of creativity and the creative process are ideas of spirituality and healing, the very quality we access when we transcend ordinary reality in creative imaginative acts, is also a powerful source of beneficial transformation and healing. Nightingale calls this multidimensional realm Tarya. It is what esotericists call the ‘inner planes’, and it is here that the deeper essence of Harlequin’s Riddle is apparent.
Entering Tarya involves altering your state of awareness, undergoing an out of body experience, and engaging in astral travel. Tarya is the realm of the shaman, the magus, the trickster, the psychopomp. Here is a small taste of Tarya.
“A subtle buzzing of hidden energy surrounded her. She looked down on distant mountains, and nearby trees, and people, many people, and each shape glimmered with light, layer upon layer of light, blurring outlines of real objects. There were intricate spiderwebs laid across the whole scene, gold threads wrapped around and over everything.”
In the villages, the players are feared for it is known they have occult or arcane power, one that destroys as it sets out to give joy. Unlike the players, Mina has the gift of storytelling, and she accesses Tarya differently, going far beyond the realms accessed by the players, realms that are connected to the living earth, to enter the purer planes of existence, where spiritual wisdom resides. This innate ability sets her apart, leads her into danger and ultimately drives her quest.
There is much to reflect on in Harlequin’s Riddle, and much to appreciate. Harlequin’s Riddle is a story to lose yourself in, and can be read on many levels. It isn’t necessary to understand anything about the occult or arcani to appreciate the novel, although the astute reader will recognise Harlequin’s Riddle as a transpersonal journey, one of initiation and healing. Nightingale has penned a unique and exquisite tale that deserves to be widely known, a story with a depth of awareness and understanding that will hold special appeal to those with an interest in alternative spiritualities. In the final analysis, Harlequin’s Riddle a work of intelligence and refinement that I can only compare to an Ursula le Guin, with overtones of Umberto Eco in theme but not in compositional style. A visionary fiction masterpiece.
Harlequin’s Riddle is available through all good booksellers.
All Things Bookish and Writerly
Writing tales of then and now and the in-between
All things gothic, horror and dark fiction
We review books in every genre by both bestselling and indie authors.
horror with no limits
Author Josh Schlossberg surveys the dark landscape of today's horror fiction.
This is not the greatest blog in the world. This is just a tribute.
Mawson's Books of Ponders
Author Interviews by Becky Narron, Book Reviews by Becky Narron and Mandy Tyra
Books, reading and writing
author at Odyssey Books
A Literary Salon Where All Are Welcome
Ponders about Books, bears, writers, and more books
What to Read Next and Why
Delighting in all things Bookish
Ever Dundas, writer - literary fiction, horror, science fiction, fantasy