I’m delighted to share this exceptionally warm and thoughtful review of The Legacy of Old Gran Parks from seasoned industry reviewer, Renier Palland.
“The Legacy of Old Gran Parks” by seasoned author Isobel Blackthorn is a droll, deeply satisfying and very understated horror novel published by HellBound Books. I’ve read some of Blackthorn’s work in the past and I haven’t been kind to her in a couple of reviews. Thank Buddha for her latest novel! “The Legacy of Old Gran Parks” is unique, extremely idiosyncratic and bathed in perfect prose. Blackthorn doesn’t just focus on “writing” a novel – she writes with such eloquence that one finds it difficult to critique her tempo and narrative techniques.
Blackthorn combines vengeance and wit to create a fictional world powered by strong plot machinations and a keen understanding of her characters. She injects her narrative with subtle symbolism and quasi-feminism. This amalgam forms an entirely new perspective on the revenge genre and its counterparts. Blackthorn deconstructs the novel like a set of Legos, then rebuilds both the plot and narrative to create a multi-faceted climax and denouement. This novel is much more than meets the eye. During my initial read-and-review process, I missed some of the finer details. Only after a secondary speed reading did I pick up on Blackthorn’s tongue-in-cheek satire.
The novel is billed as a dark comedy, but I disagree with this label. Blackthorn’s novel is a layered tour-de-force. The themes, although sardonic in their entirety, are actually much more insidious than Blackthorn imagined when she wrote the novel. There’s an element of darkness that broods underneath the hood, leaving you breathless once you actually delve deeper into the narrative.
Blackthorn’s characterisation is spot-on. The characters are perplexing, annoying (intentional) and they suffer from a derisive self-imaging machination. It’s as if the characters know Blackthorn, and they understand that she’s toying with them. This character/author intrusion is an intentional narrative device. Blackthorn poses the characters on an imaginary bookshelf and asks the reader, “So fucking what?” It’s a sign of a great author – someone who understands and knows what they’re doing with their characters and narrative.
Technically, Blackthorn didn’t make a single mistake. There was no verbiage, misused adverb or adjective techniques, or myocardial infarction of the plot. I didn’t have to restart the heart like I do with most novels. Blackthorn’s writing style flows like a river in a barren land. Unobstructed. Understated. Unequalled. As a fellow HellBound author (this does not affect the review), I notice just how great their editing techniques are. Unlike other imprints, where mistakes are made during proofing, HellBound delivers perfect editing. I’m not writing this to praise my own publisher – I’m merely stating my observations.
I once gave Blackthorn a 1 out of 5 rating for another book of hers. After a thorough editing process, I reviewed my critique and changed the rating. I was afraid that Blackthorn had to endure another less-than-average rating, but I am pleased to say that “The Legacy of Old Gran Parks” is her magnum opus.
It is definitely the best novel she’s ever written. And one of the best novels of 2018.
RATING: 5 out of 5