I do enjoy reading novels with strong mystical content. Especially when, as is the case with Grasping at Water, the author has profound knowledge of her subject.
About Grasping at Water
When a young, unidentified woman is pulled alive and well from Sydney Harbour in 2013, the connections to another woman – found in similar circumstances forty years earlier – present psychiatrist Kathryn Brookley with a terrible decision as the events of the present and past begin to mirror each other and the gap between truth and illusion shrinks.
When the young woman goes further and declares that she has lived continuously since coming to ‘understanding’ in the 14th century, her vivid accounts of life, love, childbirth, and loss in the Middle Ages seem so authentic that they test Kathryn’s scientific objectivity to the limit. As Kathryn delves she discovers that she is not the only one whose habitual assumptions about life have been torn asunder by an apparent experience of the miraculous in connection with the mystery woman.
Grasping at Water is an unusual book, possibly one of its kind. Told in the form of a mystery, what unfolds is so much more, as Kathryn, a traditional psychiatrist with all of the typical objectivist trappings of her job, is called in to assess a mysterious woman dragged out of Sydney Harbour. What unfolds will intrigue and fascinate the receptive reader.
The mystical theme is present early in the narrative through this mysterious un-drowned woman who eventually names herself Sophia (wisdom). The tales she tells at first mystify and puzzle, then reveal, slowly, fragment by fragment profound truths. Kathryn is at first reluctant and disbelieving, but her own prejudices are soon tested and she finds herself questioning her own rational understanding of the world. She notices coincidences, particularly of dates, the usual point of entry into the world of the unknown. From there Kathryn finds herself introduced to the anchoresses of medieval Europe immured in the walls of churches, and she is exposed to a feast of extraordinary knowledge as she grapples with her own life story.
Bendon deploys good pacing and plotting throughout, with believable and well-crafted characters. The protagonist, Kathryn, and the mystery woman, Sophia, are especially well-rounded. The style of prose is for the most part chatty and informative and easy to read. It is difficult to insert the theme of mysticism into the genre of a mystery and I commend the author for doing so.
The novel’s strength lies in the narrative control in the scenes exploring mysticism. The strange, mystical world Bendon portrays is utterly convincing, placing the reader right in amongst things. The insights into spirituality and mysticism contained in Grasping at Water are profound and important. Where else is the average reader to be presented with an engaging understanding of Julian of Norwich and anchoresses like her? I am reminded of L.J.M. Owen’s Dr Pimms’ series, in which the author draws on her extensive knowledge of archeology.
Grasping at Water is a story of loss, grief and acceptance, on one level a feel-good mystery to warm the heart. On a mystical level, here is a story of a rite of passage, one that will leave the reader questioning their everyday reality. A fascinating read.