Book review: Crazy-Ass Stories for Crazy-Ass People by Andy Rausch

 

About Crazy-Ass Stories for Crazy-Ass People

This quirky collection of short stories (and one novella) by Andy Rausch contains something for readers of every stripe. Rausch touches on a variety of genres, including horror, comedy, crime, and even Western, but every story features his unique, offbeat wit, superb writing, and razor-sharp dialogue, all delivered from a decidedly off-kilter perspective. His work has been praised by the likes of Cape Fear screenwriter Wesley Strick and Fort Apache the Bronx author Heywood Gould. Author Peter Leonard once compared his writing style to that of his father, Elmore Leonard. Storylines include a naive little boy mistaking a burglar for Santa Claus, bumbling white supremacists attempting to resurrect the dead body of Adolf Hitler, a man who develops an unexplainable craving for the taste of human flesh, a would-be author summoning the spirit of dead novelist Charles Bukowski to assist him writing, a showdown between legendary lawman Wyatt Earp and a deadly serial killer on the dusty streets of Tombstone, and many more. So ask yourself: are you a little bit crazy, and if so, are you up to the task of reading these twenty-two wild and crazy tales of darkness, wackiness, and outright debauchery?

My Thoughts

Just as the book blurb states, Andy Rausch has produced a hilarious, off-the-wall collection of twenty-one short stories and a novella, all with satisfyingly ironic and at times macabre twists. I much appreciate the author’s cutting and economic literary style and terrific dialogue. Vivid characters abound, including the ludicrous and inane Chunk, to the revolting, personal-hygiene-challenged degenerate Turk through to quirky Granny Wilkins and her special family dinner and the file predator Roach and his encounter with an attractive young woman at a gas station. Each story is distinct. Rausch manages to evoke vivid settings with the fewest words.

The novella ‘Wyatt Earp and the Devil Incarnate’ sees Deputy Marshall Wyatt Earp – in real life the legendary American West lawman and gambler of Tombstone, Arizona, best known for his involvement in the famous gunfight at the O.K. Corral – dealing with a string of gruesome murders. Rausch inhabits the western genre with aplomb. I could picture the saloon, the men, the gun holsters, conjure the sound of boots on unpolished wooden floors. The tale is raw and I liked the twist at the end.

There is depth to all these tales, insights into the human condition, and oodles of amorality, derangement and hapless folk dealing with confronting situations. Rauch’s journalistic mind comes to the fore, telling it as it is, shooting from the hip, never blenching, almost as though the author is shrugging and raising his hands at his readers saying, well, people can be like that.

Where is humanity’s moral compass? Does humanity even have one? How far would you take a ‘what if’?

In all Crazy-Ass Stories for Crazy-Ass People is an elixir of a special kind, appealing to those after fast-paced shorts to escape into and get a kick out of, and those who enjoy the odd moment of pause and reflection. Highly recommended.

 

About Andy Rausch

Andy Rausch is an American film journalist, author, screenwriter, film producer, and actor.

He is the author of several novels and novellas including Elvis Presley, CIA Assassin. He also wrote the screenplay for Dahmer versus Gacy and is the author of some twenty non-fiction books on popular culture.

Books: Riding Shotgun, Bloody Sheets, A Time for Violence, Layla’s Score.

You can usually find Andy on Twitter @writerrausch1, and he maintains a blog at https://authorandyrausch.wordpress.com/

 

Isobel Blackthorn is an award-winning author of unique and engaging fiction. She writes gripping mysteries, dark psychological thrillers and historical fiction. Her dark fiction includes The Cabin Sessions and The Legacy of Old Gran Parks

Book Review: Bullets, Teeth and Fists 3 by Jason Beech

 

 

BULLETS, TEETH, & FISTS 3

She’s heavily pregnant. She’s handcuffed to a pipe. The clock is ticking. Belle, the heavily pregnant wife of an important man, is bundled into the back of a car, held against her will, and cuffed to a pipe in an abandoned apartment … and her waters are about to break. Belle is desperate for her baby girl to survive and live a better life than she ever had. All she has to do is get one of her kidnappers onside. All her husband has to do is pay the ransom. Will he? The latest in the Bullets series is here – 20 exciting, violent, and sometimes heartbreaking short stories of noir and pulp fiction. Put your gloves on, it’s bloody round here.

My Thoughts

This short story collection opens with a confronting and fast paced tale of the survival of a pregnant woman protecting her baby in a kidnap gone wrong. From there, Beech takes his readers into urban and domestic settings, some seedy, others banal, and finishing off with a zombie tale. There’s Ross on his way home from the supermarket with the groceries, which should be an ordinary trip, but for the suspicious man pulling out in the car beside him. Then there’s a guy just released from prison, a guy with a dog in the pub. Some stories are flash fiction in length. Others are fully fleshed out. All of these stories plunge the reader straight into the action.
Jason Beech has a pleasingly gritty writing style, chiseled, polished, a touch literary which I enjoy, instantly engaging and perfect for the hardboiled pulp and noir genres. The author infuses his tales with irony and astute observation. Good characterisation throughout and clever storylines, each with a satisfying twist and an unexpected ending, make for a highly entertaining read. Recommended for those who want to switch off the telly and sink into some solid British noir shorts for an evening.

About Jason Beech

Sheffield native, New Jersey resident — writes crime fiction and interviews crime authors at Flash Fiction Offensive. His coming-of-age crime drama City of Forts was described as “tense, atmospheric, and haunting” by UK crime writer Paul D. Brazill.
You can buy Jason’s work from Amazon and read his work at Spelk Fiction, Shotgun Honey, Close to the Bone, The Flash Fiction Offensive, Punk Noir Magazine, Punk Noir, and Pulp Metal Magazine.
Twitter: @beech_jason
Facebook: Messy Business

The Ada Cambridge Prose Prize 2019

 

Reaching the shortlist of the Ada Cambridge Prose Prize!

It is every author’s much coveted dream. When I opened the email from the Williamstown Festival committee and saw the first word, ‘Congratulations!’, I nearly fell off my seat. Me, who never wins a thing, well, truth be told rarely enters a competition, finding my story, ‘Nothing to Declare’, selected out of countless hundreds in a statewide competition was momentous. Especially since the Ada Cambridge Prose Prize for biographical fiction is one of Australia’s prestigious literary prizes.

Here I am on stage with the other shortlisted entrants. I was so nervous! I don’t mind being on stage when I am performing or launching a book, but lined up like that with the others with nothing to do but listen and stare at the audience was not a fun experience.

I didn’t win the Adas. Congratulations to David Francis, who did. All of us lined up on stage hoped to win, but in hindsight winning doesn’t matter. Never mind the cherry. The cake is enough. Best of all I spent the occasion with a new and delightful friend. Karen Crombie of Exact Editing cast her sharp eye over my story prior to submission so it was very special for me to have her beside me during the event. She took these smashing photos too!  I must also thank author Clare Rhoden for encouraging me to apply (read my author interview on her website) and Philip Wallis, for reading and commenting on my story and for just being a terrific literary friend.

Reaching the shortlist for this story is special for another reason. ‘Nothing to Declare’ is a version of the first chapter of my forthcoming historical novel based on my great grandmother’s life.

A Time for Violence anthology wows readers

A Time For Violence

A Time For Violence: Stories with an edge is out to rave reviews and little wonder. This anthology contains many top names in the scene including several who have co-written with Stephen King. I am chuffed to have one of my shorts included.

Along with many of the authors, I was interviewed on T. Fox Dunham’s What Are You Afraid Of? podcast, which includes an extract of my contribution, LACQUER, read by David Walton.

Here are some early reviews of A Time for Violence

“I thoroughly enjoyed so many of the short stories featured in here. The contributors include many of my own favorite authors. Exceptional writing from authors like Max Allan Collins, Paul D. Brazill, Andrew Nette, Joe R. Lansdale, Elka Ray, Tom Vater, and Chris Roy. (To name just a few.) And, boy, that last story! ‘Waste Management’. The name says it all.” – Debbi Mack, author of the Sam McRae mysteries

A Time for Violence is a hard-hitting anthology that pushes the envelope on themes of violence. Though a few authors have co-written with the likes of Stephen King, every story is its own superb boundary breaker and draws the reader in with such intensity that every word feels like a heartbeat. This anthology is for those of us who have looked at the monsters created by humanity and not flinched when they returned our gaze. The stories never fail to deliver thought-provoking takes on oft-told tales. From roaring hitmen thrillers to tense, gritty investigations into the very human soul, A Time for Violence will satisfy your every crime-reading need.” – Grace Wilson

And here is a review quote on mine! –

“Lacquer By Isobel Blackthorn.
This is one of my favourites so far in the book, a private investigator ends up finding a Jane doe when his drinking goes too far and he ends up in an alley. The person wasn’t too far from the back entrance to the bar and a friend of his has also seen the deceased. His friend begs him to find out who this person is and he also feels compelled as it is a particularly gruesome crime.” – Haley Belinda Belinda, Goodreads

A Time For Violence Anthology Podcast with T Fox Dunham

A Time For Violence

What Are You Afraid Of? – Podcast with T Fox Dunham and David Walton

NEW EPISODE 115 – CURSE OF THE BLACKTHORN

“Author T. Fox Dunham interviews Australia’s noir and horror writer, Isobel Blackthorn. Isobel answers questions about her writing, the state of women authors in the industry, her thoughts on crafting and shares some insights for new authors. In addition to her interview, she sent the show a haunting tale of an aggressive entity that haunted her in the Cockatoo house, narrated by David Walton. Fox also plays an excerpt from her noir fiction, “Lacquer”, which is featured in the anthology A Time For Violence: Stories with an Edge, available on May 1st from Close to the Bone. It is an anthology of noir and horror stories featuring the best in the industry for 2019.” 

Listen to the Podcast:

What Are You Afraid Of?

What Are You Afraid Of?

Book review: Her Name is Mercie by Chris Roy

The joy of writing book reviews is stumbling on good stories, well told. When the stories take your breath away, all the better! Here is my review of one Her Name is Mercie, a collection of short stories by Chris Roy.

“Mercie Hillbrook lives a simple, quiet life working as a gas station attendant. Then her parents are killed. Her home is taken. The people responsible are excused for just doing their job. When an attempt to get justice her way lands her in trouble with the law, Mercie realizes she still has something to lose: her own life.

Then she finds reason to believe her parents were murdered… and she doesn’t care anymore.”

My thoughts:

As the cover suggests, Her Name is Mercie is a dark and thrilling ride, the lead story, almost novella length, an edge of seat experience that demands to be read in one sitting. Roy does not let his readers stray from his pages. He has you right there with the action, living it, feeling it. Mercie and her sidekick are likeable characters, and through their eyes, from the initial story set up to the dramatic ending, Roy explores the theme of injustice. Hard and racy and thoroughly entertaining, ‘Her Name is Mercie’ contains a perfect story arc. The writing is vivid and controlled, Roy demonstrating poise and restraint even as he delivers the gruesome details.

All the elements of a good short story are present throughout the collection; with writing that is taut and punchy, sparse and edgy, and with plenty of twists and turns and unexpected and satisfying endings. There are moments of visceral horror yet the horror element is never overplayed. A good craftsman, Roy sets his scenes with acute observations and a minimum of detail and a healthy measure of wit.

The second story, ‘Re-Pete’ is a gem. Told from the perspective of a young child with OCD, the result of a ghastly and recent trauma, the tale is funny and absurd, and packs a delightfully wicked punch, if ‘delightful’ can be used in the context. Roy enters the mind of young Pete with sensitivity and compassion. Pete, like the other protagonists in the collection, deserves better than the life he has been given.

Themes of justice and corruption and revenge against wrongdoers dominate the collection. In Her Name is Mercie, Roy’s protagonists, the victims of bad deeds, step into their own power.

Roy clearly has a gift, invoking in his readers immediate and deep engagement. With this collection he has thrown down the gauntlet, meeting the challenge of originality and displaying prowess across multiple styles – spooky, sinister, surreal, brutal and ironic – each story is distinct. I look forward to reading more from this author.

Book Review: Last Year, When We Were Young by Andrew J McKiernan

Here’s my review of yet another terrific collection of horror shorts, this time from award-winning Australian horror writer, Andrew J. McKiernan.

“WINNER: 2014 AHWA Australian Shadows Award, Collected Work

‘Last Year, When We Were Young’ brings together 16 tales that defy conventions of genre and style, every one with an edge sharper than a razor and darker than a night on Neptune.

From the darkly hilarious “All the Clowns in Clowntown” to the heart-breaking and disturbing title story, this debut collection from multi-award nominated author and illustrator Andrew J McKiernan pulls no punches.

“A troubling collection of weird and twisted tales. Sometimes funny, sometimes horrifying; always clever, always disturbing. Highly entertaining!” – Jonathan Maberry, New York Times bestselling author of CODE ZERO

“McKiernan’s stories are hauntingly dark, evocatively written and viscerally compelling. With little regard for genre boundaries, McKiernan creates utterly convincing characters who will take you on a journey through fully realised worlds, and every journey is more than worth it.” – Alan Baxter, author of Bound and Realmshift

“These clever, compelling stories explore the dark edges of human existence. Utilising deceptive, often colloquial prose and an array of startling imagery, McKiernan has staked his own claim in a dark corner of imaginative fiction. Start reading him now; this guy will go far.” – Gary McMahon, author of The Concrete Grove

“McKiernan is a magician. He performs magic tricks in every story, spinning us around, making us believe one thing before showing us we were wrong all along. His stories are pure magic, staying with you like an echo long after reading.” – Kaaron Warren, author of Slights & Walking the Tree.”

My thoughts:

Last Year, When We Were Young contains some of the finest horror writing I have come across. Edgy, intelligent in conception, and delivered with poise in an easy and engaging literary style, McKiernan has penned a compelling collection of shorts brimming with darkness and menace.

My favourite is ‘Daivadana’, a story of  Mark Reynolds, a son sent to Tajikistan to do his father’s bidding and discover what is going on inside a new high rise development in a city rebuilding after war. He meets Jahandar and his son, Kurshed and through each, learns of the ancient religion of Zoroastrianism, its power and particularly its propensity for summoning evil. Here is one of those perfectly balanced stories, containing all the elements of a well-written thriller with all the elements of well-written horror, at once elegant, stylish, intriguing and fast-paced. McKiernan displays a deep knowledge of his subject and makes use of that knowledge to full effect, peppering his story with insights:

‘He realised, what really matters is not what colours the players wear, but who gets to hand out the costumes in the first place.”

Throughout this collection, the reader will encounter the weird, the unusual, the grotesque, the disturbing and the tragic. McKiernan never slips into horror for horror’s sake. Instead he exercises restraint. Each story is unique and strong, the reader taken to a variety of settings, the collection diverse and rich and haunting. Highly recommended.

You can find your copy here

You can find Andrew J McKiernan here

 

Review: Midnight Echo (12)

I’m delighted to share my review of Midnight Echo (issue 12), theAustralasian Horror Writers Association’s magazine.

Issue #12 features over 50,000 words of the finest horror from Australia and New Zealand, including fiction and non-fiction. This issue showcases the winners of the 2015 and 2016 AHWA Short Story and Flash Fiction Competitions, and is edited by Shane Jiraiya Cummings and Anthony Ferguson.

My thoughts:

This issue of mainly short stories contains writing so polished it gleams. All the stories are taut and punchy, and many ooze that essential quality of the entertaining horror story, wit. The magazine is filled with originality composed by authors with suitably twisted minds. Of note is Angela J. Maher’s ‘Effigia Malo”, a gothic tale about images in an old book coming to life; and the bizarre and hilarious ‘Mechanical Cat’ by Rebecca Fung.

Most of the stories in this magazine could have found a home in any literary journal; on the horror spectrum they are soft core. The hint of dread is there in the atmosphere but the reader will find no gore or terror or slasherpunk, there is little to invoke revulsion and the paranormal receives the lightest touch. Many of the tales are set in domestic situations.

Two nonfiction pieces provide some interesting discussion. The first by Anthony Ferguson, ‘Mick Taylor and the Tyranny of Distance’, explores how much Australian horror is rooted in landscape. In the second, ‘A Shared Ambition’, Kyla Lee Ward discusses sources of inspiration in horror and the need for an abundance of ideas.

Overall, the stories set out to disturb rather than shock or revolt. I would recommend this magazine to lovers of literary fiction and appreciators of well-honed and perfectly written compositions as much as I would fans of the refined end of horror shorts.

 

Grab your copy here

Review: Stripped to the Bone: portraits of Syrian women by Ghada Alatrash

I’ve taken a short break from horror to review Stripped to the Bone: portraits of Syrian Women by Ghada Alatrash, a short story collection peppered with beautiful poetry, and set for the most part in Syria.

“Set between war-torn Syria and the West, Stripped to the Bone explores issues of identity, love, strife, courage and resilience in seven fictional portraits of Syrian women. Syrian-Canadian author and translator Ghada Alatrash is a Doctoral Student at the Werklund School of Education, University of Calgary She has an MA in English Literature from the University of Oklahoma. One of her goals is to amplify the voices of the marginalized through her writings. She translated and published a collection of Arabic poems in English, entitled So that the Poem Remains.”

*******

Stripped to the Bone  opens with the natural yearnings of Zahrah, a single woman ageing and in need of a husband, who fills her heart with Hollywood movies to escape her edge of survival existence in a war zone. Then there’s the story of Reem and Mayyada, two women both unjustly imprisoned and forced to endure torture and rape. Here the abuse of a zealot brother is juxtaposed with the almost faceless and arbitrary violence of the prison officers, Alatrash making observations relevant to all women everywhere.

In Stripped to the Bone ancient traditions are portrayed alongside modern values and lifestyles as Syrian women hold on to what is precious and beautiful while adapting to modern ways. In ‘Hanaan and Salaam’ the author tackles homophobia, in ‘Lama’ multicultural relationships, as those Syrians who have fled their homeland adapt to their new lives.

Written in gentle, ironic and often sensual prose, this collection oozes intimacy. Alatrash infuses her stories with pride and anguish, pride in her culture and anguish over the cruelties meted out in the name of God and country. But above all, Alatrash is concerned with the unjust war Syria endures, a civil war with all too powerful interested parties, a proxy war involving America, Russia and Saudi Arabia and their various allies: a bloodbath. In this collection, the geopolitics of Syria forms a translucent backdrop, Alatrash leaving it to the reader to educate themselves if they wish. Of concern for the author is the impact all of the various injustices have had on women’s lives.

In ‘Um Jaad’, a story of a Syrian woman travelling to visit her sister in Homs who has just lost her little boy, Alatrash writes:

“More deafening than the screams was the silence of the world.” It was her sister “Who lived the pain of the atrocities erasing Syrians off the map.”

Interwoven in stories that invite reflection and at times confront the reader with harsh and horrifying realities, is beautiful verse, verse that depicts the Syrian soul, verse to savour and revisit time and again.

Stripped to the Bone is a questioning and intelligent book, at once romantic, poignant and passionate. A huge sadness pervades the collection, a sense of loss of culture, of heritage and of all that is meaningful and valuable and important in women’s lives. The reader will take away the thought that what continues to happen in Syria should never have begun. Timely and significant, Stripped to the Bone is a must read for anyone wanting to understand Syria from within, from the perspective of the everyday domestic lives of its women.

You can purchase a copy here

Review: Demons, Devils and Denizens of Hell: Vol 2

I’m thrilled to share my review of Demons, Devils and Denizens of Hell: Vol 2, and anthology of horror stories compiled by P. Mattern, edited by Ztina Marie and published by HellBound Books.

http://www.hellboundbookspublishing.com/demonsdevilsdenizens2.html

“Another anthology of otherworldy delights, tales of horror, dread and hellish inhabitants, – all lovingly compiled by award-winning author P. Mattern.

Our second journey into the darkest recesses of Satan’s pit has superlative tales of nefarious delight by: Andrew MacKay, Ryan Woods, PC3, Richard Raven, Dante Crossroad, Josh Schlossberg, Brianna M. Fenty, Paul Lubaczewski, Marcus Mattern, R.L. Chambers, Gerri R Grayson, John T. M. Herres, James Nichols, Feind Gottes, P. Mattern & Lynne Ligocki Gauthier, R.L.Chambers, Richard Alan Long, Jaap Boekestein, James H, Longmore, Savannah Morgan, DJ Shaw, Bill Evans, Sergio “ente per ente” Palumbo, Jay Michael Wright II, and the incomparable Stephanie Kelley.”

As a reader of short stories I’m hard to please. I’m looking for substance and depth. I want to know the author has thought long and hard about character, setting and life in general. I’m not interested so much in being shocked or horrified. I’m interested in how the author is pulling it off. I want to be impressed. Also, I want wit. I guess that makes me hard to please. Especially regarding an anthology, a book readers will delve into when the fancy takes them, sampling rather than reading from end to end.

I opened Demons, Devils and Denizens of Hell: Vol 2 not knowing what I was to be treated to, save each story was destined to be either revolting, terrifying or both. What I discovered was a delight. Demons, Devils and Denizens of Hell: Vol 2 brims with cracking reads; the hallmark of the volume, strong writing. From the thoroughly revolting, edge-of-seat horror-crime story ‘Duplicate Counterpart’ by John T.M. Herres, to the mysterious and compelling, and ultimately shocking ‘There Shall Be No Night’ by Josh Schlossberg, and beyond, there is much to savour between the covers of this anthology.

Each story is distinct. James H. Longmore’s ‘My Possession: An Introspective’, a presentation of the state of mind of a sales executive turned writer wrestling with his inner demon called Dave, provides incisive wit and dark hilarity. As does ‘Beauty is the Beast’ by Gerri R. Gray, her protagonist, Vanity de Milo, a macabre twist on the children’s fairy tale the story alludes to.

Quoting from ‘The Huntress’ by Savannah Morgan, gives a taste of the sort of writing to be found in the anthology:

“Guts and entrails fell out like gruesome chunky soft-serve ice cream from a dispenser on the fritz.”

No matter the genre, sentences like that make a reader like me tingle.

Feind Gottes foreshadows his dark tale, ‘Black Lodge’, with some powerful imagery:

“A simple black lodge in a forgotten wood where ghosts feared to haunt but memories were free to crush a man’s soul.”

Like the other stories in this anthology, Gotte’s tale grips to the very last sentence.

The authors of these dark tales have stretched their imaginations, brought to bear their wit and drawn on their many and varied insights into the human condition. Not only that, they’ve applied themselves to the task of writing, and writing well. The result is a must read.

Buy your copy here.

Check out more from HellBound Books here