Twerk by Isobel Blackthorn

Twerk – A dark psychological thriller laced with steamy romance

Twerk

“Twerk is a page-turning rollercoaster of a ride.”

“Addictive and thoroughly entertaining, Twerk sizzles on every page!”

Desire, a spark, a decision made too fast (in haste), and a Las Vegas stripper is plunged into the depraved world of a psychopath. But is she the only target of his twisted desires?

A regular Sunday night in a Las Vegas strip club is rocked when a local oddball dies mysteriously, during a private dance.

Amber falls immediately in lust with the hot paramedic who arrives, and follows him outside, anticipating sizzling romance. But, her casual encounter quickly descends into a terrifying, twisted nightmare from which she is unable to escape.

Five days later, and it’s Lana’s next shift at the club; she’s a fly-in-fly-out stripper paying her way through law school – she’s also Amber’s best friend.

Where is Amber? And what about the dead client? Was it an accident? Suicide? Or murder?

Finding neither the police, nor the club are taking much interest, Lana conducts her own inquiries, even though she finds herself the victim of a social-media hate campaign, and an ex-boyfriend who is sending her death threats. She’s desperate to uncover the truth about the death, but the person she most needs to speak to is Amber, who has failed to show up for her shift yet again…

Lana is thrust into a web of lies and deceptions she is determined to unravel, in which everyone is a suspect.

 

An addictively dark, psychological thriller laced with steamy romance, mystery, action and suspense; Twerk exposes the working lives of Las Vegas strippers behind the glamor – the challenges, the rewards, and the deadly risks.

Release: December 2018 – AVAILABLE FOR PREORDER – ORDER YOUR COPY NOW!

 

 

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Book review: Her Name is Mercie by Chris Roy

The joy of writing book reviews is stumbling on good stories, well told. When the stories take your breath away, all the better! Here is my review of one Her Name is Mercie, a collection of short stories by Chris Roy.

“Mercie Hillbrook lives a simple, quiet life working as a gas station attendant. Then her parents are killed. Her home is taken. The people responsible are excused for just doing their job. When an attempt to get justice her way lands her in trouble with the law, Mercie realizes she still has something to lose: her own life.

Then she finds reason to believe her parents were murdered… and she doesn’t care anymore.”

My thoughts:

As the cover suggests, Her Name is Mercie is a dark and thrilling ride, the lead story, almost novella length, an edge of seat experience that demands to be read in one sitting. Roy does not let his readers stray from his pages. He has you right there with the action, living it, feeling it. Mercie and her sidekick are likeable characters, and through their eyes, from the initial story set up to the dramatic ending, Roy explores the theme of injustice. Hard and racy and thoroughly entertaining, ‘Her Name is Mercie’ contains a perfect story arc. The writing is vivid and controlled, Roy demonstrating poise and restraint even as he delivers the gruesome details.

All the elements of a good short story are present throughout the collection; with writing that is taut and punchy, sparse and edgy, and with plenty of twists and turns and unexpected and satisfying endings. There are moments of visceral horror yet the horror element is never overplayed. A good craftsman, Roy sets his scenes with acute observations and a minimum of detail and a healthy measure of wit.

The second story, ‘Re-Pete’ is a gem. Told from the perspective of a young child with OCD, the result of a ghastly and recent trauma, the tale is funny and absurd, and packs a delightfully wicked punch, if ‘delightful’ can be used in the context. Roy enters the mind of young Pete with sensitivity and compassion. Pete, like the other protagonists in the collection, deserves better than the life he has been given.

Themes of justice and corruption and revenge against wrongdoers dominate the collection. In Her Name is Mercie, Roy’s protagonists, the victims of bad deeds, step into their own power.

Roy clearly has a gift, invoking in his readers immediate and deep engagement. With this collection he has thrown down the gauntlet, meeting the challenge of originality and displaying prowess across multiple styles – spooky, sinister, surreal, brutal and ironic – each story is distinct. I look forward to reading more from this author.

Special discount! – The Cabin Sessions

I’m delighted to share this special discount of The Cabin Sessions, my dark psychological thriller published last October by HellBound Books.

 

Only $0.99 Kindle edition. Visit your Amazon website to grab your copy.

For the USA https://amzn.to/2vakBb8

For Australia. https://amzn.to/2M3X9q5

TWERK – Contract signed with HellBound Books!

I am delighted to announce I have just signed TWERK to HellBound Books for release December 2018.

Based on a flash fiction piece published by Backhand Stories in UK in 2016, TWERK is an steamy romantic thriller set in a Las Vegas strip club. Gripping steamy noir with an amazing soundtrack, the novel provides a behind the scenes, insider view of the working life of a stripper based on extensive, original research.

Big thanks to James Longmore, publisher at HellBound Books, for his guidance in devising the plot. I’m happy to say that HellBound Books, with its gracious, respectful and supportive team, are the perfect home for this special work.

Best news of all, I’m flying to Las Vegas for the launch!

To keep in touch and grab a pre-release copy, subscribe to my mailing list, like my Facebook page, or follow me on Instagram or Twitter.

 

Bloody Good Horror Books 5*****Star review of The Legacy of Old Gran Parks!

I’m delighted to share this exceptionally warm and thoughtful review of The Legacy of Old Gran Parks from seasoned industry reviewer, Renier Palland.

 

“The Legacy of Old Gran Parks” by seasoned author Isobel Blackthorn is a droll, deeply satisfying and very understated horror novel published by HellBound Books. I’ve read some of Blackthorn’s work in the past and I haven’t been kind to her in a couple of reviews. Thank Buddha for her latest novel! “The Legacy of Old Gran Parks” is unique, extremely idiosyncratic and bathed in perfect prose. Blackthorn doesn’t just focus on “writing” a novel – she writes with such eloquence that one finds it difficult to critique her tempo and narrative techniques.

Blackthorn combines vengeance and wit to create a fictional world powered by strong plot machinations and a keen understanding of her characters. She injects her narrative with subtle symbolism and quasi-feminism. This amalgam forms an entirely new perspective on the revenge genre and its counterparts. Blackthorn deconstructs the novel like a set of Legos, then rebuilds both the plot and narrative to create a multi-faceted climax and denouement. This novel is much more than meets the eye. During my initial read-and-review process, I missed some of the finer details. Only after a secondary speed reading did I pick up on Blackthorn’s tongue-in-cheek satire.

The novel is billed as a dark comedy, but I disagree with this label. Blackthorn’s novel is a layered tour-de-force. The themes, although sardonic in their entirety, are actually much more insidious than Blackthorn imagined when she wrote the novel. There’s an element of darkness that broods underneath the hood, leaving you breathless once you actually delve deeper into the narrative.

Blackthorn’s characterisation is spot-on. The characters are perplexing, annoying (intentional) and they suffer from a derisive self-imaging machination. It’s as if the characters know Blackthorn, and they understand that she’s toying with them. This character/author intrusion is an intentional narrative device. Blackthorn poses the characters on an imaginary bookshelf and asks the reader, “So fucking what?” It’s a sign of a great author – someone who understands and knows what they’re doing with their characters and narrative.

Technically, Blackthorn didn’t make a single mistake. There was no verbiage, misused adverb or adjective techniques, or myocardial infarction of the plot. I didn’t have to restart the heart like I do with most novels. Blackthorn’s writing style flows like a river in a barren land. Unobstructed. Understated. Unequalled. As a fellow HellBound author (this does not affect the review), I notice just how great their editing techniques are. Unlike other imprints, where mistakes are made during proofing, HellBound delivers perfect editing. I’m not writing this to praise my own publisher – I’m merely stating my observations.

I once gave Blackthorn a 1 out of 5 rating for another book of hers. After a thorough editing process, I reviewed my critique and changed the rating. I was afraid that Blackthorn had to endure another less-than-average rating, but I am pleased to say that “The Legacy of Old Gran Parks” is her magnum opus.

It is definitely the best novel she’s ever written. And one of the best novels of 2018.

RATING: 5 out of 5

Bloody Good Books Reviews

Wow!!!!

Read more about Gran Parks here

Grab a copy here

My #GranParks author interview on Jera’s Jamboree

Big thanks to Shaz of Jera’s Jamboree for inviting me to answer her interesting questions! Here I reveal the inside story of The Legacy of Old Gran Parks.

“Please summarise The Legacy of Gran Parks in 20 words or less.

In a lawless town in a coastal wilderness, four women encounter four deviant men. Gran Parks stands at the crossroads.

 

What was the idea/inspiration for your novel?

I started with the setting. A friend and former neighbour had relocated to a remote town deep in the forest on Australia’s south-eastern corner. I know the town as I have passed through it many times on my way up the coast from Melbourne. Cann River is a coach stop; it’s where tourists pull in for a rest after driving through the forest for about a hundred miles, before they tackle the next hundred. For years, I thought the town would make a terrific setting for a thriller. When my friend urged me on and I committed to the project, fresh ideas flooded in. I was after a unique tale, something that would speak to the heart of what Cann River feels like from an outsider’s point of view, while capturing some of the essence of the surrounds, for the area, known as Croajingolong National Park, is part of the Wilderness Coast and is a UNESCO-declared biosphere reserve.  The area is special for another reason, one I discovered when I started researching the story. On the coast nearby is Point Hicks lighthouse, where Captain James Cook first sighted land on the eastern coast of Australia in April 1770. Unable to pull in there or anywhere else for hundreds of kilometres, Cook kept heading north and arrived at Botany Bay and Australia was claimed by the British. My book is as far from historical fiction as can be, but there is truth in there regarding the local area, including Point Hicks….”

Read the full story here. 

Review: Captor by Anita Waller

I’ve had a short detour into the realm of thrillers with Anita Waller’s smashing read, Captor.

 

“Liz Chambers is a devoted mother who works for a successful law firm. She has two children, a husband and a blossoming career. But behind closed doors, Liz is harbouring a secret that could destroy her life.

Then the unthinkable happens, and in a frenzied attack, her young son is snatched from the home of the childminder charged with looking after him.

As Liz’s life unfolds, it becomes clear that someone is out for revenge.

Desperate to get her baby boy back, Liz must work out who is responsible for his kidnap, and why.

But as the body count begins to mount, Liz’s concern grows for the safety of her child.

Who has taken her baby?

And why is Captor so determined on revenge?”

My thoughts:

What makes a good thriller? Relatable characters, a relatable plot, and a fast pace with plenty of twists along the way are all essential elements of a good thriller. Deviate from the strictures and the author will risk alienating thriller readers who don’t want detailed backstory, long paragraphs of reflection or thick descriptions. Thrillers have to create an edge of seat tension in the mind of the reader and they absolutely must not falter or meander in any way. Reading Anita Waller’s novel, it is plain she has mastered every element of the thriller genre with finesse.

Captor does not miss a beat. The twists come at just the right moment and drive the plot forward at breakneck speed. The protagonist, Liz Chambers, is sufficiently complex and flawed to make her likeable if selfish and blinkered, and Waller leaves it to her readers to judge Liz’s past and present deeds. Indeed, it is Liz’s questionable acts and decisions that provoke the reader to think and ponder what they might do, or not do in a similar situation.

The story unfolds rapidly once Liz’s baby son is taken, and from then on Captor is laced with a satisfying mix of mystery and complexity. The parallel narrative works well too, in keeping the reader informed and building up tension. I defy any reader to put this book down before they get to the end!

I thoroughly enjoyed Captor, and look forward to reading more from the author.

 

You can find the author here: http://www.bloodhoundbooks.com/anita-waller/

And grab your copy here