Only $0.99 Kindle edition. Visit your Amazon website to grab your copy.
Only $0.99 Kindle edition. Visit your Amazon website to grab your copy.
I am delighted to announce I have just signed TWERK to HellBound Books for release December 2018.
Based on a flash fiction piece published by Backhand Stories in UK in 2016, TWERK is an steamy romantic thriller set in a Las Vegas strip club. Gripping steamy noir with an amazing soundtrack, the novel provides a behind the scenes, insider view of the working life of a stripper based on extensive, original research.
Big thanks to James Longmore, publisher at HellBound Books, for his guidance in devising the plot. I’m happy to say that HellBound Books, with its gracious, respectful and supportive team, are the perfect home for this special work.
Best news of all, I’m flying to Las Vegas for the launch!
To keep in touch and grab a pre-release copy, subscribe to my mailing list, like my Facebook page, or follow me on Instagram or Twitter.
I’m delighted to share this exceptionally warm and thoughtful review of The Legacy of Old Gran Parks from seasoned industry reviewer, Renier Palland.
“The Legacy of Old Gran Parks” by seasoned author Isobel Blackthorn is a droll, deeply satisfying and very understated horror novel published by HellBound Books. I’ve read some of Blackthorn’s work in the past and I haven’t been kind to her in a couple of reviews. Thank Buddha for her latest novel! “The Legacy of Old Gran Parks” is unique, extremely idiosyncratic and bathed in perfect prose. Blackthorn doesn’t just focus on “writing” a novel – she writes with such eloquence that one finds it difficult to critique her tempo and narrative techniques.
Blackthorn combines vengeance and wit to create a fictional world powered by strong plot machinations and a keen understanding of her characters. She injects her narrative with subtle symbolism and quasi-feminism. This amalgam forms an entirely new perspective on the revenge genre and its counterparts. Blackthorn deconstructs the novel like a set of Legos, then rebuilds both the plot and narrative to create a multi-faceted climax and denouement. This novel is much more than meets the eye. During my initial read-and-review process, I missed some of the finer details. Only after a secondary speed reading did I pick up on Blackthorn’s tongue-in-cheek satire.
The novel is billed as a dark comedy, but I disagree with this label. Blackthorn’s novel is a layered tour-de-force. The themes, although sardonic in their entirety, are actually much more insidious than Blackthorn imagined when she wrote the novel. There’s an element of darkness that broods underneath the hood, leaving you breathless once you actually delve deeper into the narrative.
Blackthorn’s characterisation is spot-on. The characters are perplexing, annoying (intentional) and they suffer from a derisive self-imaging machination. It’s as if the characters know Blackthorn, and they understand that she’s toying with them. This character/author intrusion is an intentional narrative device. Blackthorn poses the characters on an imaginary bookshelf and asks the reader, “So fucking what?” It’s a sign of a great author – someone who understands and knows what they’re doing with their characters and narrative.
Technically, Blackthorn didn’t make a single mistake. There was no verbiage, misused adverb or adjective techniques, or myocardial infarction of the plot. I didn’t have to restart the heart like I do with most novels. Blackthorn’s writing style flows like a river in a barren land. Unobstructed. Understated. Unequalled. As a fellow HellBound author (this does not affect the review), I notice just how great their editing techniques are. Unlike other imprints, where mistakes are made during proofing, HellBound delivers perfect editing. I’m not writing this to praise my own publisher – I’m merely stating my observations.
I once gave Blackthorn a 1 out of 5 rating for another book of hers. After a thorough editing process, I reviewed my critique and changed the rating. I was afraid that Blackthorn had to endure another less-than-average rating, but I am pleased to say that “The Legacy of Old Gran Parks” is her magnum opus.
It is definitely the best novel she’s ever written. And one of the best novels of 2018.
RATING: 5 out of 5
Big thanks to Shaz of Jera’s Jamboree for inviting me to answer her interesting questions! Here I reveal the inside story of The Legacy of Old Gran Parks.
“Please summarise The Legacy of Gran Parks in 20 words or less.
In a lawless town in a coastal wilderness, four women encounter four deviant men. Gran Parks stands at the crossroads.
What was the idea/inspiration for your novel?
I started with the setting. A friend and former neighbour had relocated to a remote town deep in the forest on Australia’s south-eastern corner. I know the town as I have passed through it many times on my way up the coast from Melbourne. Cann River is a coach stop; it’s where tourists pull in for a rest after driving through the forest for about a hundred miles, before they tackle the next hundred. For years, I thought the town would make a terrific setting for a thriller. When my friend urged me on and I committed to the project, fresh ideas flooded in. I was after a unique tale, something that would speak to the heart of what Cann River feels like from an outsider’s point of view, while capturing some of the essence of the surrounds, for the area, known as Croajingolong National Park, is part of the Wilderness Coast and is a UNESCO-declared biosphere reserve. The area is special for another reason, one I discovered when I started researching the story. On the coast nearby is Point Hicks lighthouse, where Captain James Cook first sighted land on the eastern coast of Australia in April 1770. Unable to pull in there or anywhere else for hundreds of kilometres, Cook kept heading north and arrived at Botany Bay and Australia was claimed by the British. My book is as far from historical fiction as can be, but there is truth in there regarding the local area, including Point Hicks….”
I’ve had a short detour into the realm of thrillers with Anita Waller’s smashing read, Captor.
“Liz Chambers is a devoted mother who works for a successful law firm. She has two children, a husband and a blossoming career. But behind closed doors, Liz is harbouring a secret that could destroy her life.
Then the unthinkable happens, and in a frenzied attack, her young son is snatched from the home of the childminder charged with looking after him.
As Liz’s life unfolds, it becomes clear that someone is out for revenge.
Desperate to get her baby boy back, Liz must work out who is responsible for his kidnap, and why.
But as the body count begins to mount, Liz’s concern grows for the safety of her child.
Who has taken her baby?
And why is Captor so determined on revenge?”
What makes a good thriller? Relatable characters, a relatable plot, and a fast pace with plenty of twists along the way are all essential elements of a good thriller. Deviate from the strictures and the author will risk alienating thriller readers who don’t want detailed backstory, long paragraphs of reflection or thick descriptions. Thrillers have to create an edge of seat tension in the mind of the reader and they absolutely must not falter or meander in any way. Reading Anita Waller’s novel, it is plain she has mastered every element of the thriller genre with finesse.
Captor does not miss a beat. The twists come at just the right moment and drive the plot forward at breakneck speed. The protagonist, Liz Chambers, is sufficiently complex and flawed to make her likeable if selfish and blinkered, and Waller leaves it to her readers to judge Liz’s past and present deeds. Indeed, it is Liz’s questionable acts and decisions that provoke the reader to think and ponder what they might do, or not do in a similar situation.
The story unfolds rapidly once Liz’s baby son is taken, and from then on Captor is laced with a satisfying mix of mystery and complexity. The parallel narrative works well too, in keeping the reader informed and building up tension. I defy any reader to put this book down before they get to the end!
I thoroughly enjoyed Captor, and look forward to reading more from the author.
Here it is, the cover of my third novel! It’s a literary thriller/mystery with pizzazz.
Advance review copies of A Perfect Square are now available. If you’re interested in grabbing a copy send me an email by clicking here.
When pianist Ginny Smith moves back to her mother’s house in Sassafras after the breakup with the degenerate Garth, synaesthetic and eccentric Harriet Brassington-Smythe is beside herself. She contrives an artistic collaboration to lift her daughter’s spirits: an exhibition of paintings and songs. Ginny reluctantly agrees.
While mother and daughter struggle with the elements of the collaborative effort, and as Ginny tries to prise the truth of her father’s disappearance from a tight-lipped Harriet, both are launched into their own inner worlds of dreams, speculations and remembering.
Meanwhile, another mother and artist, Judith, alone in a house on the moors, reflects on her own troubled past and that of her wayward daughter, Madeleine.
Set amid the fern glades and towering forests of the Dandenong ranges east of Melbourne, and on England’s Devon moors, A Perfect Square is a literary thriller of remarkable depth and insight. Click to read more
comments on books by Ann Creber
Writing tales of then and now and the in-between
All things gothic, horror and dark fiction
horror with no limits
Author Josh Schlossberg surveys the dark landscape of today's horror fiction.
As kvlt as it gets.
Mawson Bears's Books and Ponders
Author Interviews by Becky Narron, Book Reviews by Becky Narron and Mandy Tyra
Books, reading and writing
author at Odyssey Books
A Literary Salon Where All Are Welcome
Ponders about Books, bears and writers
What to Read Next and Why
Delighting in all things Bookish