I am delighted to announce The Unlikely Occultist: A biographical novel of Alice A. Bailey, will be released by Creativia Publishing on December 4th! I will be writing a lot more about the story behind this novel in the coming weeks, and how it came to me to write it. Meanwhile, here is the cover.
About The Unlikely Occultist
Librarian Heather Brown discovers the fascinating life of Alice Bailey – a long forgotten occultist.
Back in 1931, Alice is preparing to give a speech at a Swiss summer school. But how can she stave the tide of hatred and greed set to bring the world to its knees?
Soon after, Alice is put on Hitler’s blacklist. What she doesn’t realize is the enormity of her influence on the world, and the real enemies who are much closer than she thinks.
A dynamic and complex figure, Alice Bailey’s reach was huge. She was influential among people and organizations of global power, especially the United Nations, and is widely regarded as the Mother of the New Age.
Yet today she is maligned by fundamentalist Christians, Theosophists, Jews, academics, and above all by conspiracy theorists. Are any of these groups justified in rejecting the unlikely occultist?
The Unlikely Occultist is available on Amazon VIEWBOOK.AT/OCCULTIST
I am thrilled to announce I have just signed a three-book contract with Creativia!
Creativia will be releasing A Matter of Latitude – a gripping mystery/thriller set on Lanzarote (Canary Islands, Spain) and featuring one of the characters from The Drago Tree; The Partition – a delightful gothic mystery set on Fuerteventura (Canary Islands, Spain); and A Point of Principle – a work of biographical fiction based on the life of occultist Alice A Bailey.
A Point of Principle is special; Alice Bailey has been a part of my life for twenty-five years. I have read and studied her texts, applied her principles, written a PhD on her work and I have researched her life to the very best of my ability. I am not an adherent of her work, but I hold her in the highest regard as an important historical figure, a woman who led an exceptionally hard life, and a writer unjustly maligned.
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That just about clears my desk of book projects so I better get stuck into my next work!
I have a little announcement, and I’m feeling awfully nervous.
For the past few weeks I’ve been throwing obstacles in the path of this. I’m beginning the demanding task of turning my doctoral thesis into a novel. Well, sort of.
My thesis concerns a corpus, a body of obscure texts. My novel will attempt to embody the life of the author. Her name is Alice Bailey. She’s a highly controversial figure nobody outside New Age and conspiracy theory circles has heard of. Yet her writing has been enormously influential on the world stage and it is easy to show how. Her life is colourful and interesting too, with themes many will relate to, including domestic violence, elitism and exclusion, jealousy and malice.
What is challenging is that I am treading the controversial path of ‘faction’ – inspired by Heather Rose’ The Museum of Modern Love, and Melissa Ashley’s The Birdman’s Wife, both prize winning books. I am indebted to the authors for tamping down the grass on this narrow rocky path, impressing us all with the results of their hard labours. I’ve reviewed both works and I have become so enthusiastic in my praises, the authors might be wondering ‘who is this nut who keeps liking my short-list announcements with “told you so” comments?’
In reviewing these works, it appears I’ve been set a high bar.
My story will be structured differently. There will be echoes of The Chemistry of Tears by Peter Carey, for mine is a frame story. I have chosen this approach as I want to tell a little of Alice Bailey’s legacy. Creating a narrative frame set in the present seems to me the only way to achieve this.
I have the title.
I’ve conjured a protagonist to put in the frame. I already love her to bits.
I’ve completed my research on the life of Alice Bailey. I have it all written up in a submittable draft, what I thought was a submittable draft.
I’ve storyboarded the chapters.
I am about to invoke the voice of Alice Bailey.
Nothing in my literary journey to date has been more daunting and more compelling than this project.
Will I pull it off? If I do, will anyone, other than me, be interested in this mysterious woman whose story has gone untold for many decades?
So here I go, bathers donned despite the cold, facing the choppy waters of historical fiction. Already, there’s a storm on the horizon.