About The Unknown
It happens every year. A select few disappear, never to return.
From The Falkland Islands to the Himalayas, Puerto Rico to England – people are vanishing without trace or explanation. A young man who’s lost everything stumbles across an ancient secret.
Can he unlock the mystery? Will he find those who need him?
…can he escape the Unknown?
I rarely read fantasy/horror, but when I stumbled on The Unknown I decided to try it out. I was surprisingly entertained and even didn’t mind the vampires, which is a real credit to Price as I would normally stop reading the moment they appear. Writing with exceptional imagination, Price has a knack for luring his readers into his story world.
There can be no doubt Price ticks all the boxes of the genre. Strange and spooky happenings in far flung lands. A preternatural child with glowing yellow eyes. Vampires. Doors into other worlds. A looming sense of dread. And a black cross edged with silver on a black rope chain. The scene is set for a seriously creepy read.
Good characterisation, and Price is at pains to endear his protagonists to his readers. Effective world building is critical in the genre and Price has crafted a realm that is at once enchanting and menacing and convincing. I certainly lost myself in it.
After an engaging set up, The Unknown is filled with dramatic tension, with new plot lines and twists and plenty going on to hold the attention. Very well thought out, The Unknown is a visual feast and a gripping read. I would recommend to all who enjoy dark fantasy.
For years I’ve been hiding a dark lamp of hidden knowing from public view for fear of being misunderstood. Thanks to the encouragement of my peers, this is set to change. On Sunday June 10, 2018, 4pm, I’m giving a forty minute talk at Continuum: Melbourne’s Speculative Fiction Convention on Representations of the Occult in Fiction, and I’m giving that talk from a particular standpoint. It’s one of deep understanding from the point of view of both an occult practitioner and a scholar of Western Esotericism.
Neither of these things make me an expert in this vast field, other than perhaps in my tiny little quarter of it. Whole books have been written on defining Western Esotericism alone and identifying the various currents. As for representations of the occult in fiction, this is another vast topic worthy of a PhD and I’ll only have time to touch on a few examples and open up a conversation, one that reaches into the unknown, the inexplicable mysteries of life, and leaves us pondering the ancient wisdom tradition that arises out of that place.
The talk has me dwelling on how I represent the occult in my own writing. All my novels to date contain an occult theme, one in particular, A Perfect Square , a dark mystery that explores various approaches to drawing on occult knowledge in the creation of art. As for my other novels: Asylum‘s plot is driven by a palm reader’s prophecy, the backstory of The Drago Tree is laced with childish occult dabblings, The Cabin Sessions is overshadowed by a Blood Moon harbinger of doom, and The Legacy of Old Gran Parks concerns a supernatural curse. So I guess it’s about time I started talking publicly about this stuff!
I’m a very private individual and I’m easily overwhelmed by crowds. For those reasons, I’ve never been to any sort of convention, and certainly not given a talk of this kind ever in my life. It’s a privilege and I will be giving it my best shot. If you are going to the Continuum convention, I hope to see you there.