Book review – The Blood Red Experiment: A Neo-Giallo Anthology

Giallo fiction

About The Blood Red Experiment

Inspired by the genius of Hitchcock and his films, latin luminaries such as Argento and Bava directed macabre murder-mystery thrillers, that combined the suspense with scenes of outrageous violence, stylish cinematography, and groovy soundtracks. This genre became known in their native Italy as giallo.

Giallo is Italian for yellow, inspired by the lurid covers of thrillers, in the way that pulp fiction was derived from the cheap wood pulp paper of the crime stories, or Film Noir came from the chiaroscuro of the German Expressionistic lighting.

Craig Douglas and Jason Michel bring gialli-inspired stories together from some of the best crime writers on the scene today to a wider audience, giving birth to a new literary movement in crime writing, NeoGiallo, and drag this much maligned genre screaming and slashing its way into the 21st Century.

My thoughts on The Blood Red Experiment

The six stories contained in this anthology are exemplars of the sub-genre of giallo. The pages ooze sensuality, the writing is slick and the horror stylised and graphic. After a useful introduction to the terrain by Richard Godwin, the anthology opens with K. A. Laity’s ‘Madonna of the Wasps’, a gruesome tale of ritual killings in a Bohemian Parisian world, enacted to sate the hunger of a bloodthirsty dominatrix. Like all the authors in this anthology, Laity’s writing is poised and masterful. The author provides an interesting and diverse cast of characters and the protagonist, Mira, an artist with a fantastical imagination, is especially well-rounded. ‘Madonna of the Wasps’ is a fast-paced tale with some unexpected and shocking twists. Ultimately satisfying and provocative, this story is a terrific opening not just to the anthology, but to the sub-genre of neo-giallo.

For the uninitiated, Mark Cooper’s ‘Quaenum In Illis’ is the most accessible read in the anthology. Here, a former scholar of linguistics is invited by a mysterious woman to translate the pages of an ancient text. Cooper draws the reader straight into the intrigue in true thriller style, saving the blood for later. Moody, dark and fascinating, the mystery and tension unfold from shifting perspectives.

‘Canvas of Flesh’ by Jack Bates will bring out the voyeur in the best of us as artist Preston completes his art exhibition using a particular portion of the body of Jessica. Sensuality and horror blend beautifully in this tale, the reader enchanted and disturbed all at once, compelled to turn the pages. As the story unfolds the initial wonder soon shades into revulsion, as Bates confronts the reader with a portrait of obsession.

Urban, noir and mysterious, Jim Shaffer’s ‘Blood of the Lamb’ is a superb example of where giallo takes a crime-thriller. The story opens in a church then follows the observer to a shabby hotel, then back out on the streets, for the kill. The story switches to Frank, a feature writer quick with his camera. What unfolds will be read in one sitting, the eyes never leaving the page.

‘The Impermanence of Art’ by Kevin Berg is probably best not read while eating. Graphic horror is rendered sensual, the storytelling intense and unrelenting until the final twist as an art student is seduced by some illicit videos streamed on her phone by a maverick art instructor. Berg’s offering is at the extreme end of the sub-genre and not for the faint of heart, yet it is a gripping tale told with imagination and wit.

Bookending the anthology is Richard Godwin’s ‘Machine Factory’, an exposé of a deranged psychiatrist. In taut, rhythmic and urgent prose, Godwin thrusts his readers inside the mind of a serial killer. The extent of the protagonist’s insanity is boundless, his fanciful and quasi-intellectual rants alarming and all too real. The story is brutal, confronting and disturbing. There is no redemption here.

Find The Blood Red Experiment on Amazon

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TWERK – Contract signed with HellBound Books!

I am delighted to announce I have just signed TWERK to HellBound Books for release December 2018.

Based on a flash fiction piece published by Backhand Stories in UK in 2016, TWERK is an steamy romantic thriller set in a Las Vegas strip club. Gripping steamy noir with an amazing soundtrack, the novel provides a behind the scenes, insider view of the working life of a stripper based on extensive, original research.

Big thanks to James Longmore, publisher at HellBound Books, for his guidance in devising the plot. I’m happy to say that HellBound Books, with its gracious, respectful and supportive team, are the perfect home for this special work.

Best news of all, I’m flying to Las Vegas for the launch!

To keep in touch and grab a pre-release copy, subscribe to my mailing list, like my Facebook page, or follow me on Instagram or Twitter.

 

Review: The Blood Red Experiment

My journey into dark fiction just keeps getting better. What is it that draws the reader into the realm of the macabre? I guess the answer to that is different for everyone, but for me, uppermost is the application of top-class literary skills.

“Inspired by the genius of Hitchcock and his films, latin luminaries such as Argento and Bava directed macabre murder-mystery thrillers, that combined the suspense with scenes of outrageous violence, stylish cinematography, and groovy soundtracks. This genre became known in their native Italy as giallo.

Giallo is Italian for yellow, inspired by the lurid covers of thrillers, in the way that pulp fiction was derived from the cheap wood pulp paper of the crime stories, or Film Noir came from the chiaroscuro of the German Expressionistic lighting.

We at TBRE want to bring gialli-inspired stories by some of the best crime writers on the scene today to a wider audience, giving birth to a new literary movement in crime writing, NeoGiallo, and drag this much maligned genre screaming and slashing its way into the 21st Century.”

*****

My entry into NeoGiallo has been rewarded with this superb collection. Edited by Jason Michel and Craig Douglas, The Blood Red Experiment is a well laid out magazine with a healthy noir vibe. Many of the stories are first instalments of serialised works, a smart move on the part of the editors, as those stories are compelling and leave the reader wanting more, rendering The Blood Red Experiment a collectible, a must-have for any noir-loving fan.

The opening story, ‘Machine Factory’ by Richard Godwin, is about as confronting as it gets inside the mind of a psychopathic killer. Unrelenting, vivid and artistic in its execution, I am in admiration of the author for his ability to enter into the pathology of macabre glorification and can only hope the protagonist is not his ‘Mr Hyde’. Godwin display his literary talents in evocative descriptions:

“I will escape it and find otherness like a black widow spider clutching with unreal feet at the empty window pane of time.”

‘Machine Factory’ contains a satisfying twist, one that entices the reader to start back at the beginning.

Every story in The Blood Red Experiment is worth a mention. Mark Cooper’s intriguing ‘Quaenam in Illis’, the tale of an out-of-work linguist used by a mysterious group to decipher ancient writings, pulls the reader into a seedy Paris underworld. Kate Laity’s ‘Maddona of the Wasps’ is a rich and tantalising tale of erotic desire and gore, as a dominatrix uses her minion, a slave to his own lust. In ‘Didn’t Bleed Red,’ Tom Leins makes use of a reflexive giallo motif, as his private investigator protagonist comes face to face with a grotesquely overweight, red-faced man who calls himself The Auctioneer. Jack Bates displays impressive narrative control and provides an unexpected twist in his confronting tale, ‘Canvas of Flesh’. Then there’s James Shaffer’s chilling and tense ‘Blood of the Lamb’, a story in which even the light bleeds; and Kevin Berg’s sensual and literary ‘L Impermanenza Dell’Art’, a story that takes searching for inspiration in an art class to a whole new level.

The high literary standard that can be found in the dark-fiction genre never fails to please, and the standard of writing in The Blood Red Experiment is excellent. The authors are adept at creating evocative metaphors and captivating imagery, and display all the artistry of good prose, brought to bear on the gruesome side of life.  Dripping noir from every page crease, the hallmark of this issue is dark sensuality, the sort only good writing can achieve. Every author is engaged in a dance of seduction with the reader. The Blood Red Experiment is a privilege to read. My only critical remark is the shortage of women writers in the mix.

Grab your copy here